Aeolian-Skinner Organ Company Opus 927
In 1949 several tonal alterations were carried out in the Chancel Organ, including the elimination of the expression box of the Great division, the addition of a 2’ Fifteenth and mixture to the same division. The Chancel Choir division also received several tonal alterations, some of which were reversed in subsequent alterations in 1975. No tonal changes were carried out in the Gallery Organ with the exception of the addition of a period Aeolian-Skinner Vox Humana to the Swell Organ, and the addition of a Tuba placed atop the expressive divisions, both of these latter from the famous Skinner Organ Opus 851 in Hartford’s Trinity College chapel. Opus 927 is one of the few instruments from its period to survive relatively unaltered. The Gallery Organ in particular has been carefully preserved, apart from the two additions mentioned above, one of which (the Vox Humana) had been prepared-for when the organ was built. As such, this organ gives us an interesting glimpse into the fascinating period that saw its creation. The restoration of Opus 927 was completed in 1994, concluding a series of major repairs begun some years earlier. It enjoys regular use in an active church music program, and does a superb job of accompanying three choirs as well as a large congregation. In the hands of a skilled musician, this instrument is comfortable playing much of the literature for the organ. Opus 927 is one of the finest organs of its period to come from the Boston shops of the Aeolian-Skinner Organ Company. For more than two decades it has been played by Mr. Walden Moore, Organist-Choirmaster of Trinity Church.
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Great (Gallery) 16' Sub Principal 61 8' Principal 61 8' Diapason 61 8' Bourdon 61 8' Gemshorn 61 4' Octave 61 4' Gemshorn 61 2 2/3' Quint 61 2' Super Octave 61 1 3/5' Tierce 61 IV Fourniture 244 8' Trumpet 61 4' Clarion 61 Chimes Choir |
Choir (Gallery)
16' Contra Gemshorn 73
8' Spitzflote 73
8' Lieblich Gedeckt 73
8' Dulciana 73
8' Unda Maris 64
4' Gemshorn 73
4' Lieblich Flote 73
2 2/3' Nazard 61
2' Piccolo 61
1 3/5' Tierce 61
V Sesquialtera 305 (prepared)
8' Trompette 73
8' English Horn 73
8' Clarinet 73
Tremolo
8' Tuba 73 (Horizontal, unenclosed) |
Swell (Gallery) 16' Lieblich Gedeckt 73 8' Geigen Principal 73 8' Stopped Diapason 73 8' Viol de Gambe 73 8' Voix Celeste 73 8' Flute Celeste II 134 4' Octave Geigen 73 4' Flute Harmonique 73 2' Fifteenth 61 VI Plein Jeu 366 16' Bombarde 73 8' Trompette 73 8' Oboe 73 8' Vox Humana 73 Tremolo |
Pedal (Gallery) 32' Soubasse 12 16' Principal 32 16' Sub Principal Great 16' Bourdon 32 16' Violone 32 16' Contra Gemshorn Choir 16' Lieblich Gedeckt Swell 8' Octave 32 8' Flute Ouverte 32 8' Gemshorn Choir 8' Still Gedeckt Swell 5 1/3' Quint 32 4' Super Octave 32 4' Flute Harmonique 32 2' Blockflote 32 (prepared) IV Mixture 128 (prepared) 16' Bombarde 32 8' Trompette 32 4' Clarion 32 Chimes Great |
Great (Chancel)
8' Diapason 61
8' Rohrflote 61
8' Erzahler 61
4' Octave 61
2' Fifteenth 61
IV Fourniture 244
8' Trompette 61 |
Choir (Chancel)
8' Stopped Diapason 61
8' Salicional 61
8' Unda Maris 49
4' Flute Harmonique 61
8' Flugel Horn 61
Tremulant
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Pedal (Chancel)
16' Bourdon 12
8' Principal Great
4' Choralbass Great
16' Fagotto 12